#THE BLACK KEYS BROTHERS FULL ALBUM ZIP PROFESSIONAL#
#THE BLACK KEYS BROTHERS FULL ALBUM ZIP TORRENT#

#THE BLACK KEYS BROTHERS FULL ALBUM ZIP PROFESSIONAL#

After self-producing and recording their first four records in makeshift studios, the duo completed Attack & Release (2008) in a professional studio and hired producer Danger Mouse, who subsequently became a frequent collaborator with the band. Their third album, RuGarage rocker Factory (2004), received critical acclaim and boosted the band's profile, eventually leading to a record deal with major label Nonesuch Records in 2006.

Over the next decade, the Black Keys built an underground fanbase through extensive touring of small clubs, frequent album releases and music festival appearances, and broad licensing of their songs. After signing with indie label Alive, they released their debut album, The Big Come Up (2002), which earned them a new deal with Fat Possum Records. The band's raw blues rock sound draws heavily from Auerbach's blues influences, including Junior Kimbrough, Howlin' Wolf, and Robert Johnson.īlakroc Drummer The Rentals The Arcs Danger Mouseįriends since childhood, Auerbach and Carney founded the group after dropping out of college. The duo began as an independent act, recording music in basements and self-producing their records, before they eventually emerged as one of the most popular garage rock artists during a second wave of the genre's revival in the 2010s. The group consists of Dan Auerbach (guitar, vocals). Patrick Carney (drums). (Pitchfork may earn a commission from purchases made through affiliate links on our site.The Black Keys are an American rock band formed in Akron, Ohio, in 2001. This is an album by the Black Keys called “Let’s Rock.” It does. Just as the album art for Brothers, with its matter-of-fact text, downplayed expectations, “Let’s Rock” is upfront about its meat-and-potatoes aspirations. “Let’s Rock” feels like a deliberate retreat from the limelight, where the Black Keys were always an odd fit anyway. If none of those reference points are especially hip, that seems to be by design. Elsewhere the influences are subtler-shades of Steely Dan in the amplified soft-rock of “Breaking Down,” a hint of the Isley Brothers in the nimble lick of “Tell Me Lies.” Rex’s “Jeepster,' while “Sit Around and Miss You” lifts its lick so shamelessly from Stealers Wheel’s “Stuck in the Middle With You” that it’s hard to hear it without picturing Michael Madsen slicing off a dude’s ear. The guitars on “Walk Across the Water” ape the suave glide of T. Most of “Let’s Rock” hits its mark, but sometimes the band cribs so overtly from their influences that it feels like cheating off of a test. “Lo/Hi,” about reckless thrills and brutal comedowns, is even more undeniable, pure leather-jacketed swagger.

#THE BLACK KEYS BROTHERS FULL ALBUM ZIP TORRENT#

“Shine a Little Light” kicks off with a torrent of brawling guitars, the embodiment of those old speaker ads with the guy in a chair blowing away his living room. His absence leaves more room for riffs, and “Let’s Rock” doesn’t skimp on them. In truth, Danger Mouse’s window dressings neither added nor detracted all that much from the band’s sound. “ Let’s Rock,” in turn, opts for a streamlined approach: just Auerbach, Carney, a pair of backing vocalists (Ashley Wilcoxson and Leisa Hans) and as many overdubs as it takes to get the job done. His fingerprints in particular were all over the psychedelic hodgepodge of Turn Blue and its kitchen-sink strings and keyboards. This time, they are working without Danger Mouse, the producer whose modern/retro fusion helped prime the band for their crossover. As a result, “ Let’s Rock” plays exactly like the record they might have rushed out right after Turn Blue. They’re focused, workmanlike, and committed to what works.

But the Black Keys have never much valued change. Carney produced records for Michelle Branch, Tobias Jesso Jr., Wild Belle, and others, while Auerbach helmed records by the Pretenders and Cage the Elephant and dropped a leisurely solo album.įor some bands, that time apart might have yielded an epiphany that reshaped their approach. As the band tells it, they burned out, though during their time off Dan Auerbach and Patrick Carney both continued making music at their typically relentless clip, just not with each other. The duo’s new “ Let’s Rock” follows their last effort Turn Blue by five years, the longest gap of their career.

The black keys brothers full album zip